The House, one in every of Netflix’s first new releases of the 12 months, is an easy idea. It’s a movie cut up into three chapters, every helmed by a distinct director, all of which discover a distinct story associated to the identical sprawling house. What connects every quick, apart from the bodily home and stop-motion animation, is a creeping sense of dread. The House appears to be like cute, with speaking animals and dollhouse-like visuals, however in every story there’s one thing lurking simply beneath the floor; one thing incorrect, unsettling. It might be a recession or a scary creature — however once you put it collectively the outcome is an anthology with a trio of distinct, but clearly related tales.
The first chapter, directed by Marc James Roels and Emma de Swaef, is an origin story of kinds, which opens with the ominous phrase, “and heard within, a lie is spun.” It’s a narrative about envy: when visiting kin mock a younger household’s house, the daddy makes a drunken association with an eccentric architect providing to construct them the home of their goals freed from cost. Initially, it’s an virtually idyllic state of affairs; not solely is the home large and exquisite, however meals seems as if from nowhere and the lights flip themselves on. But slowly issues unravel. One day stairs go lacking because the architect decides to rearrange his masterpiece, whereas zombie-like staff lurk round in silence. Later the architect presents the dad and mom weird clothes to match the decor. It’s laborious to inform whether or not one thing supernatural is happening or if it’s only a merciless psychological experiment, and it’s all rendered in mushy felt that solely provides to the surreality.
Later tales transfer the timeline ahead. Chapter two, directed by Niki Lindroth von Bahr, is set in fashionable occasions, when a struggling contractor — who is additionally a mouse — is renovating the home in an try and make some massive cash. Unfortunately, every little thing appears to go incorrect; not solely is he investing every little thing in the undertaking in the midst of a recession, however he has to cope with persistent issues like a mysterious bug infestation. When the home is full, just one couple bites: and there is one thing clearly incorrect with them. I received’t spoil something, however this one is price looking forward to the ultimate twist alone. The final chapter, helmed by Paloma Baeza, pushes issues additional into the long run when the home is surrounded by a flooded metropolis. However, a younger cat, who has transformed the house into residences, refuses to cave to actuality and actually tries to wallpaper over her issues whereas her remaining tenants do what they will to assist her transfer on.
Despite the assorted circumstances and timelines, in every story the home represents a form of lifeline for the characters. It’s an opportunity for a household to encourage jealousy, for a mouse to tug himself out of the crushing weight of debt, and for a cat to slowly construct the house of her goals. The home appears to draw the determined. What’s most attention-grabbing about The House is how every story provides a distinct riff on this theme. The first two chapters lean into being creepy, notably their unsettling endings, however whereas the primary is extra of a slow-building dread, the second is far more tangible. Meanwhile, the ultimate chapter, regardless of beginning out fairly bleak, ends on a surprisingly hopeful observe.
The House additionally options a number of the best-looking stop-motion animation you’ll see outdoors of a Laika movie. Each story has a distinct vibe. The felt characters of chapter one lend it an virtually cozy vibe, that makes the darker components much more stark, whereas the second chapter is extremely lifelike and detailed, proper all the way down to the little piece of tape masking the webcam on the contractor’s laptop computer. The last story, in the meantime, is extra ethereal, with foggy backdrops that sign one thing approaching the tip of the world. The solely fixed is the home, which is at all times recognizable regardless of superficial adjustments over time.
It’s an virtually ideally suited anthology: related and but standalone. And, at round half-hour every, the chapters are quick sufficient that they don’t overstay their welcome, whereas additionally being unusual sufficient to stay with you.
The House streams on Netflix beginning January 14th.